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Abstract: Valley Girl is a movie starring Alicia Silverstone, Chloe Bennet, and Mae Whitman. Set to a new wave '80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together. A musical
Judy Greer
2020
USA
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Neither you need to register yourself into anything or do anything except site in your couch and enjoy this amazing movie Valley Girl online with our web portal to watch Valley Girl full movie online free. The movie that proved that Chloe Bennet worships white men. She started dating Logan Paul on this set and for a while despite the fact that Logan Paul has made comments against Asian Americans. In fact, Chloe Bennet has only dated white men. She has never dated nonwhite men.
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Details about the Kristin Cavallari-Jay Cutler divorce are trickling out, at least according to one report Thursday.
A story on alleges that Cavallari increasingly found Cutler to be “lazy” and “unmotivated, ” as her Uncommon James business and “Very Cavallari” reality show took off.
According to the story, Cutler preferred just hanging out on the family farm with their three children. ESPN and CBS have reportedly been courting the former Chicago Bears quarterback for a post as an NFL on-air analyst.
In Instagram posts last weekend, Cutler and Cavallari (whose other TV credits include “The Hills”) revealed the news of the divorce:
‘‘With great sadness, after 10 years together we have come to a loving conclusion to get a divorce, ’’ they wrote in separate posts on their personal accounts. ‘‘We have nothing but love and respect for one another and are deeply grateful for the years shared, memories made, and the children we are so proud of. This is just the situation of two people growing apart. We ask everyone to respect our privacy as we navigate this difficult time within our family. ’’
According to the official divorce filings, Cavallari cites “irreconcilable differences” and notes Cutler “is guilty of such inappropriate marital conduct as renders further cohabitation unsafe and improper. ”.
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Another re-make, already forgotten.
Artist: Statler Brothers
Song: Eve
The Story: Don't eat the fruit in the garden, Eden,, It wasn't in God's natural plan., You were only a rib,, And look at what you did,, To Adam, the father of Man.
Continue Reading...
Artist: Queens of the Stone Age
Song: You Can't Quit Me Baby
The Story: You smell like goat, I'll see you in hell
Artist: Starship
Song: Sarah
The Story: All the b***h had said, all been washed in black
Artist: Iron Maiden
Song: The Prisoner
The Story: And my blunt is my ho now
Artist: Pearl Jam
Song: Jeremy
The Story: At home, drawing pictures, Of mounds of tots, With ham on top
Continue Reading...
If you like Death Valley Girls, you may also like: Imitate, Intimidate by Kaz Mirblouk Extra-riffy guitar rock gets dosed on this psych-tinged release, straight out of Southern California’s still-kicking garage scene. Bandcamp New & Notable Sep 30, 2016
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Water by SadGirl
L. A. ’s SadGirl carve big, soul-inspired grooves across the length of their latest LP, “Water. ” Bandcamp New & Notable Jun 10, 2019
Definitely Band by Curling
Indie rock with sunny psych-pop harmonies and guitar work that alternately chimes and crashes. Bandcamp New & Notable Aug 22, 2018
Animal Races by Cool Ghouls
Straightforward rock, recorded to tape in a backyard studio for an old-school, psychedelic sound. Bandcamp New & Notable Aug 16, 2016
Shake, Wrestle 'N' Roll by Exotic Adrian Street and the Pile Drivers
An ’80s rarity only Burger Records could unearth, Exotic Adrian Street helms a dozen synth-heavy, wrestling-themed glam-pop songs. Bandcamp New & Notable Sep 21, 2019
Zed For Zulu by Those Pretty Wrongs
Jody Stephens of Big Star and Luther Russell of the Freewheelers team for a radiant LP packed full of slide guitar and pop smarts. Bandcamp New & Notable Sep 11, 2019
F. Y. M. S. by WHITE MYSTERY
The twin garage duo's latest is as cheeky and raucous as ever. Bandcamp New & Notable Mar 15, 2017
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A t a relatively brief 99 minutes, Zombieland: Double Tap doesn’t provide one with anywhere near enough time to figure out exactly why Zombieland: Double Tap exists. The closest I could manage was sheer greed, but even that explanation would require a strongly held belief that a substantial fanbase cared about or even remembered the original. It was a decently reviewed sleeper success which provided a much-hankered-for eyeroll at the influx of zombie films flooding cinemas at the time – but it was that and little else. A smile of a movie that turned into more of a shrug over time.
A decade wait later, the result of a tortuous development process, here it is, lumbering into cinemas thirsty for coins, missing the boat and all other available transport. It’s not entirely without merit, but it is utterly devoid of necessity, a release date filler that, despite the long gestation period, feels like a worthless quickie, 10 years’ worth of foreplay resulting in an underwhelming splurge. Since the first film, those involved have graduated to better things. Woody Harrelson scored two more Oscar nominations; Emma Stone won an Oscar and was nominated for another; Jesse Eisenberg secured himself a career as a playwright; screenwriters Rhett Reese and Paul Wernick moved on to the Deadpool franchise; and director Ruben Fleischer landed Venom, the biggest hit of his career to date. Which makes the whole thing even more of a head-scratcher.
Crafted with the sort of fan service one might expect from a sequel to a much-loved fan favourite, Zombieland: Double Tap doubles down on what the original provided for those apparently eagerly waiting for more. We’re reunited with the ragtag team from the first film as they come across an extravagant new home: the White House. For a while, there’s a fragile sense of contentment – for the men at least – but their attempts to force their female companions into traditional gender roles (the makeshift daughter and the loyal wife) force the women to flee the nest.
What follows – what vaguely, if one squints, passes for a plot – includes a hippie commune, a pilgrimage to Graceland, a candle shop meet-cute and a lacklustre Luke Wilson cameo. Zombie groan.
As dated as its slow-mo zombie-killing opening credits, at times Zombieland: Double Tap feels like it was made directly after the original yet carelessly forgotten about. It’s rushed and dusty, a film more belonging on Crackle than the big screen, more expensively budgeted than the first yet mostly creatively bankrupt. The film’s major addition is a dumb, one-note Valley Girl stereotype, played buoyantly by a game Zoey Deutch, who resembles a character from an early 00s sitcom, with every poorly written punchline landing the same – she’s an airhead, end of joke. The script’s potshots at hippies feel equally rusty: they love weed and hate guns. Cool.
The returning actors replay the same beats with about as much effort and investment as one might expect, with Stone looking particularly bored, while Fleischer’s stylistic flourishes feel mostly regurgitated. The script’s interesting initial exploration of women eschewing traditional gender roles is soon replaced with a predictable string of women throwing themselves at undeserving men. It’s watchable in an undemanding way, thanks to a snappy pace, but there’s an ingenuity missing, a purpose, a spark that made the first film so much fun. A lot has changed since the first one came out, to the actors, to the genre, to the world, but Zombieland: Double Tap is hopelessly stuck in the past. It’s a corpse of a franchise that shows no sign of coming back to life.
Zombieland: Double Tap is released in the UK and US on 18 October.
After hearingabout her health struggles, i'm more in love with this woman. Especially that she'd kept it quiet for all these years. What a legend.
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