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The Bourne Supremacy Song Free Download



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Original Title: The Bourne Supremacy

Genge: Action,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

When a CIA operation to purchase classified Russian documents is blown by a rival agent--who then shows up in the sleepy seaside village where Bourne and Marie have been living under assumed names--the pair collapse their lives and head out. Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.
Again Matt Damen has returned to the big screen as Jason Bourne. an agent trying to find himself, and trying to unlock secrets of his past. In the first movie they were after him, in this one he has turned the tables. this movie combines the finest car chases and action scenes and the more adapted performances by Matt Damen and Julia Stiles.

Yes the camera shots are not stable and shake for the most part of the movie. at most times it is very hard to see what is going on, but i don't think it ruined the movie, like most are saying. i thought it gave the movie a more " real" feeling then just going to see a glamorized movie all done up for Hollywood. i highly recommend this movie if you enjoyed the first. With the first film, The Bourne Identity (2002), Matt Damon showed the world that he was a believable action film star. The Bourne Supremacy is certainly a match for the first film, yet it also feels so different (more on this in a mo). However, it still shows that this is a franchise that can easily stand up to any other spy film, even the long running Bond series.

But this is a different kind of film than Bond's various outings. There's no quick one-liners, no endless array of women to pick up, and no high-tech gadgetry. Instead, director Paul Greengrass focuses on the character of Bourne as a person, someone who can feel both physical and emotional pain. He may seem cold at times, but is certainly far from being emotionless. And unlike many spies in films, he can be hurt; he falls on his leg at one point, and has to limp through the rest of the film. This all adds up to a character who feels so human, like it could be anyone you pass on the street. It makes you care about what is happening to him, and also makes you wonder whether all will end up fine in the end, like the Bond films always do; you know Bond will triumph and there will be no consequences, whereas with Bourne you're not quite sure if all will go quite so smoothly.

As with the last film, the action scenes are mostly short and brutal; Bourne has a very physical approach to dealing with the people on his trail. These climax in an extremely well shot car chase through Moscow. Whilst it is an awesome scene, with realism highest on the agenda (none of this fake laws-of-physics-stretching stuff that seems so popular in Hollywood), it does seem a tad too long, and you end up wanting it to finish soon so your brain has some time to catch up. But this is a small point to make, as the rest of the film is so well paced, without feeling the need to bung in an action scene just because there hasn't been one for almost ten whole minutes, like so many films (stand up Van Helsing, we're talking about you).

If there is one complaint to be made about The Bourne Supremacy it is that it doesn't feel as fresh as the first film. In Identity, the audience are as baffled as Bourne about his true identity, and that was one of the attractions of that film – we really didn't know what would happen next. With the majority of his memories returned, we now know what skills Bourne has, and what he would do in certain situations. What made the first film so good was the fact that we didn't know what skills he had; the scene where he uses martial arts on the police for the first time, and his own reaction to what just happened was typical of what made the first film so appealing.

However, the cast are all of high standard, especially Joan Allen and Brian Cox as two CIA bosses vying for control of the situation. Franka Potente makes a brief return as Bourne's love interest and is the source for his emotional trauma, but it is Matt Damon's portrayal of Jason Bourne which is definitely the stand out here. Ironically, even though he is the lead character, he has the least to say in the film, instead relying on shots of him quietly brooding and contemplating his next move to make us feel sympathy for him. This, and the original, is certainly the most intelligent and well-crafted spy film for ages.

Rated: 7.5/10

More reviews at: http://www.thelazylounge.net

Second opinion/Re-viewing:

The score for The Bourne Supremacy was always a bit of a tough one. I felt that although it should be an 8, the fact that it was not as fresh as the first film brought it down. However, having viewed it again I think that it does thoroughly deserve a score of 8. If anything, it is even more intense than The Bourne Identity, and director Paul Greengrass' use of the shaky camera gives the film a gritty, real-life feel that complements what the film is about. Although I still can't decide which film I prefer, I think they are equally as good as each other, and both deserve the same score. With The Bourne Ultimatum due in 2007 - again with Greengrass directing - my hopes are high for a stellar spy trilogy.

Re-rated: 8/10 The action is confusing at first and the hyperventilated editing style at times goes beyond the pale, so pic ultimately emerges as an erratic but not unworthy sequel to its gritty, genre-invigorating predecessor.
After laying low for two years with girlfriend Marie Kreutz (Franka Potente) in the small seaside village of Goa, India and attempting to piece together his memory from flashbacks in his dreams, ex-Treadstone operative Jason Bourne (Matt Damon) is forced to go on the run again when he is targeted for death by Russian assassin Kirill (Karl Urban). At the same time, in Berlin, CIA Deputy Director Pamela Landy (Joan Allen) and CIA Chief Ward Abbott (Brian Cox) also set out to bring him in ...hopefully alive. The Bourne Supremacy (1980) is a 1987 novel by American author Robert Ludlum [1927-2001]. It was adapted for the screen by screenwriter Tony Gilroy. The Bourne Supremacy is a sequel to The Bourne Identity (2002) (2002) and is followed by The Bourne Ultimatum (2007) (2007), The Bourne Legacy (2012) (2012) and Jason Bourne (2016) (2016). There was also a short-lived TV series The Bourne Identity (1988) (1988). Landy was investigating the theft of $20 million from the CIA that happened seven years before. She had learned that the CIA agent who stole the money was named by Russian journalist/politician Vladimir Neski in the "Neski Files," and Neski himself was probably assassinated over this, so she wanted to get her hands on the files. She offered $3 million for them and sent an agent to complete the exchange in an office building in Berlin. During the exchange, an assassin planted Bourne's fingerprint on a bomb in the building's basement, killing the agent and the source, along with stealing the files and the $3 million. Consequently, Landy switched her investigation to Jason Bourne. Abbott and Russian oil millionaire Gretkov (Karel Roden) conspired to make money out of Russian oil by buying "drilling rights" in the Caspian Sea using the CIA's $20 million that went missing (actually stolen by Abbott). Neski was in the way by opposing the privatization of oil and was about to reveal the identity of the thief, so Abbott called in newly-trained Bourne to kill him. Mrs Neski was simply in the way. This was Bourne's first hit. It is not entirely explained in the movie, other than Jason Bourne stating to Marie that they probably got careless. It could mean that they were too exposed in their communications. We know from the previous movie that Marie was a drifter with many contacts and from the next movie that she has a brother. It is possible that her communications with friends or family were monitored by Threadstone, who learned where she was and naturally assumed Bourne was with her. We also see Bourne burning most of his documents, which may mean that Threadstone knew about some of their assumed identities and knew how to trace those to India. Abbott could then simply relay this information to Gretkov, who hired Kirill and send him there. Kirill later shows papers which identify him as a member of the Russian Secret Service (unless these are fake), so he may also have had access to databases and agencies that could help trace Bourne and Marie. Kirill didn't know that Jason and Marie had switched places in the car. He thought that Bourne was still driving, so that's where he aimed. Abbott's name was mentioned in the Neski file as a traitor, which is the reason why he had Bourne assassinate Neski seven years earlier. When the Neski file resurfaced and nearly came into Pamela Landy's possession, Abbott had to try and keep it out of her hands and keep her from digging into the Treadstone project. He tried to shift suspicion to Alexander Conklin (Chris Cooper) who was already dead and could not defend himself. Abbott set up Bourne as the one who had killed Landy's agents and stolen the file. Abbott also asked his partner Gretkov to hire an assassin to get rid of Bourne in India because, with Bourne out of the way, it would be a dead end for Landy's investigation. Bourne was the ideal scapegoat anyway, as he was the one who silenced Neski, so it made some sense that Bourne would try to finish his mission and get rid of Neski's surviving testimony. The big flaw in the plan was that Bourne was supposed to die in India, which did not happen. On the contrary, this only caused Bourne to become personally involved in the plot. In an earlier scene, when Bourne was talking to Landy on her cellphone, he tells her that he wants Nicky Parsons (Julia Stiles), who is standing next to Landy, to meet him in the Alexanderplatz and that Landy should give her cellphone to Nicky. When Bourne calls Nicky, he is calling her on Landy's cell. After apologizing to Irena Neski (Oksana Akinshina) for killing her parents, Bourne returns to New York City and telephones Landy to ask why the CIA is still looking for him. She replies that she just wanted to apologize (off the record) and thank him for sending her the tape on which Abbott admitted his involvement in the theft of the $20 million. In return, she tells him that his real name is David Webb and that he was born on 15 April 1971 in Nixa, Missouri. She suggests that he come in so that they can talk about it, but Bourne looks out the window and replies 'Get some rest, Pam. You look tired,' startling her when she realizes that, once again, he's watching her. In the final scene, Bourne walks down the street and disappears into the bustling crowd. Those who have both seen the movie and read the book say that the two stories are very different. In the book, David Webb is forced back into the violent cloak and dagger world of Jason Bourne when Marie is kidnapped, and he soon finds himself knee-deep in a CIA conspiracy that also involves a mysterious assassin who has carried out a number of kills using his name. Although it follows the book's basic storyline, the film makes some major changes in the details, in particular, the locations (China versus Europe) and Marie's fate.The story in the book has nothing much to do with Treadstone except some flashback scenes and references to it. More information about the novel can be obtained here. Of course, see The Bourne Identity and The Bourne Ultimatum, the other two movies in the initial Bourne trilogy. The later sequels are The Bourne Legacy and Jason Bourne—Bourne being missing from the former. For other movies that feature special agents facing deadly complications, try xXx (2002) (2002), in which an athlete is recruited by the government to infiltrate an underground Russian crime ring. In The Transporter (2002) (2002) , an ex-special forces operator, now working as a goods transporter who asks no questions, breaks the rules and peeks at his latest cargo. There's Three Days of the Condor (1975) (1975), in which a CIA researcher must outwit hit men bent on killing him. In The Long Kiss Goodnight (1996) (1996), lost memories of herself as a top-secret agent begin to surface in an ordinary housewife. In Bullitt (1968) (1968), a cop searches for the killers of a witness that he was supposed to be protecting. Two cops attempt to intercept a big heroin shipment coming from France in The French Connection (1971) (1971). Also recommended by those who have seen The Bourne Identity are the Jackal movies—The Day of the Jackal (1973) (1973) and The Jackal (1997) (1997)—in which a professional assassin codenamed "Jackal" is sent on secret missions. Also consider the Ocean movies—Ocean's Eleven (2001) (2001), Ocean's Twelve (2004) (2004), and Ocean's Thirteen (2007) (2007)—in which Danny Ocean and his team of gangsters attempt to pull off major heists, and any of the James Bond films. Finally, you can check out Taken (2008) (2009), another thriller which involves an ex-CIA operative tracking down his daughter's kidnappers in Europe.
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