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Original Title: Wild Team
Genge: War,Action
A South American rebel leader in exile in Miami is given one last chance to overthrow his successor, a brutal dictator, by a multi-national mining group out to exploit his countries' mineral resources.
A South American rebel leader in exile in Miami is given one last chance to overthrow his successor, a brutal dictator, by a multi-national mining group out to exploit his countries' mineral resources. PROBLEM: The leader's only son is held hostage by the dictator, and will be executed at the first sign of attack. SOLUTION: Recruit a team of deadly fighters, all experts in guerilla warfare, to free the boy and eliminate the resistance. Thus, the Thunder Squad is born. The Thunder Sqaud is an all action, all fighting, all thrilling adventure into the country of a madman!
If there's one thing in life you usually shouldn't question, it's the brutal character of an Italian mid-80's action flick. There was a truckload of them overflowing the more hidden shelves of raunchy video stores back in the late 80's and they pretty much all looked similar. They had deliciously appealing VHS cover art, complete with heavily muscled and testosterone bursting males firing off big machine guns, and provocative taglines like "Shoot first, ask questions
never" or "They Shoot 'em all up!". On the backside of these VHS boxes, there were several more enticing stills depicting pure mayhem and carnage. The good thing about these images is that they're 100% reliable! These movies truly are a non-stop spitfire of extreme action, gratuitous mega- explosions, muscle showcasing and horrible macho dialogs. "The Wild Team" is Umberto Lenzi's contribution to the popular trend, but it actually was a bit of a disappointment. Especially in comparison with other contemporary jungle mayhem highlights (like Bruno Mattei's "Strike Commando", Antonio Margheriti's "Commando Leopard" or – most of all – Ruggero Deodato's awesome "Cut and Run"), "The Wild Team" is rather tame and unmemorable. The plot contains all the required ingredients and clichés to guarantee pure entertainment, but the film simply lacks the essential panache! The cast is stupendous (Antonio Sabato, Ivan Rassimov and Werner Pochath!) and the body count is tremendous, but the adrenalin and kicks aren't bursting from the screen like supposed to. When the son of the popular President of Manioca, a small Southern American island, gets kidnapped by the henchmen of the communist dictator who took over the power. They threaten to kill the boy if the President would even just consider to take up his former position again. A multinational in Florida supports the President – because he guarantees free access to the country's profitable silver mines – and hires a quintet of rough mercenaries to go on a rescue mission. The search and rescuing of the boy goes rather fluently, if you don't take into account a shamelessly overlong para-sailing sequence, and after about 45 minutes you wonder what'll happen next because everything looks solved. But then, of course, Lenzi begins with all the dire but inevitable sub plots including treason, corruption, self-sacrifice and getting saved from the jungle by an annoying 12-year-old. There's nothing exceptional or remotely remarkable about the jungle action sequences and it's never a good sign when even the shootout sequences start to look boring after a while. Stelvio Cipriani's score is undoubtedly the best thing to mention here, but unfortunately the music doesn't suit the tone and subject matter of the film. His best scores are for mysterious and sleazy horror films or gialli, like "What have they done to our Daughters", not brainless action flicks.
This seems to be a totally forgotten little low-budget movie from Umberto Lenzi, so much so that I can't find anything about the film at all on the internet, aside from three differing titles (plus the third that I found it under!). I picked it up in one of those ancient cardboard sleeve releases, and at the princely sum of 50p I really couldn't complain, especially when I saw the names of Ivan Rassimov and Umberto Lenzi in the opening titles.
We're in routine action territory here, in a film which consists of dialogue, plot development, and lots and lots of shooting. This is a predictable movie which does at least satisfy with the amount of bullets flying around
I would say that a good third of this movie is made up of action scenes, including one stretched-out massacre at a prison camp in the heart of the jungle in which the enemies are based.
This is a cheap but cheerful little film, and it's obvious that the low budget didn't hamper Lenzi at all, as he packs it with his trademark slapdash action and high body count. While the explosions may look cheesy (blowing up in front of the actors all the time, thereby obscuring them), the sheer quantity of bullets shot and people dying is impressive in a small way in itself. Once again Lenzi makes good use of a jungle setting as he charts our "wild team" making their way into the enemy camp - after all, he'd had good experience with his gruelling cannibal flicks, and the authentic Dominican Republic locations add to the experience.
The B-movie cast are consistently amusing, especially Sal Borgese as the square-jawed clean-cut action hero type who spends most of the film giving orders and doing heroic things. He's joined by the typical blonde bimbo (in cut-off shorts and low-cut top, no less), an arrogant German (talk about stereotyping) - played by Werner Poctath, one of the most underrated actors in exploitation cinema, a lovable Mexican, and Lenzi's own reliable star, Ivan Rassimov! Rassimov is once again the "whipping boy" of the group. There's also a child actor who tags along for most of the movie, but thankfully he's not too annoying. The bad guys are over actors, as per usual.
I would say that this movie is worth a look in a "so-bad-it's-good" sense. There are many unintentional scenes to laugh at. These include a moment where our heroes hang-glide into a swamp (so cheesy it's hilarious), one of those clichéd arrow-through-the-neck tricks (which you figure out as an infant) and some ripe dialogue that makes no sense ("I warned you to keep your gun clean - all you think about is Bo Derek!"). Plus some unconnected bits at the beginning and end involving stuffy officials shouting at each other. The bad focusing and appalling editing in the action scenes sink this movie from the start, but it's enjoyable enough in a cheesy kind of way.
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