You certainly can do almost every approach improper when making black printer on a white shirt, and there's however a good chance that your final printing can look very good. Since the ink is leaner, it goes through the screen mesh easier, with less force, and clears the screen better. (For those unfamiliar with the word "removing the monitor," this describes the purpose when all ink is satisfied out of the monitor mesh and properly transferred to the shirt.)

Therefore generally when creating a display making work that needs dark ink on a bright clothing, you need to use the wrong screen mesh, have no off contact, and printing with the completely wrong squeegee approach and however get an "OK" seeking ultimate print. However, if these same wrong practices are attempted when printing white ink, uh oh, sport over! The unfortunate point is, many printers start out in this way and show themselves totally wrong. Actually, this is how I learned. It's perhaps not the conclusion of the world however! Screen Printing

The very first thing you'll have to comprehend and come to terms with is the fact white ink is likely to be the thickest ink you'll actually use. To reach a white image on a black shirt, the printer has to be opaque which in turn suggests thicker. Positive you will find thinner white inks, or try to cut back the thicker people, but you're defeating the point and you'll find yourself printing two times as significantly to try and achieve the exact same result. On one other hand, if you discover ways to print appropriately, then printing bright is like having a go in the park.