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Original Title: The Minion

Genge: Action,Fantasy,Horror

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New York, Christmas Eve, 1999 - at the dawn of the new millennium - a subway construction crew unearths an eight hundred year old Celtic skeleton and a mysterious key. Archeologist Karen Goodleaf is called in to determine the meaning of the discovery. News of the discovery reaches a Middle East monastery where the warrior monks knowns as the Knights Templer - an ancient sect entrusted with protecting holy relics - choose their best pupil, Lukas (Dolph Lundgren) to face the diabolical threat. As Lukas races to New York, an evil Minion seizes Karen and uses its body like a parasite and host. Lukas arrives just in time to rescue Karen and despatch the Minion. The Minion takes hold of another host - revealing that it is immortal. As it cuts a path of destruction through the city, decimating a parking garage and leaving a trail of death, Karen realizes that the Minion can't be killed - but only delayed from finding a new host.
This movie had the potential to be really good, considering some of the plot elements are borrowed from the sci-fi actioner THE HIDDEN. And Dolph always lends some cheesy appeal to his roles. But someone somewhere really dropped the ball on this one.

Dolph plays a butt-kicking monk (!) who travels to New York to retrieve a key that unlocks a door beneath his monastery that has imprisoned the antichrist for 2000 years. He must battle the minion, who is a spirit that jumps from body to body much like THE HIDDEN and JASON GOES TO HELL. The minion, naturally, wants the key so it can let the antichrist out. Along for the ride is an annoying female archaeologist and together she and Dolph are chased by the minion-possessed bodies.

If I'm making this sound entertaining, forget it. The pacing is very awkward and sluggish, the acting subpar at best, and the fight scenes staged poorly. Dolph sleepwalks through his role and spouts some of the worst dialogue of his career.

The cheese factor really picks up at the end when the minion battles an army of machine-gun wielding monks at the monastery, but the rest of this flick is a snoozefest.

Too bad, I really wanted to like this. Worst portrayal of archaeology in a movie EVER. I don't even know where to begin there were so many flaws. Not little nerdishly nit-picky flaws, either, but big, gaping stupid ones. Please believe me when I tell you, dear ones, archaeologists don't go about their business acting like obsessive, `I work alone,' TV criminologists gasping (made-up) historical trivia into a dictaphone while diving straight for the shiny things without any sort of support team (and if we ever get that possessive about archaeological material, someone needs to slap us upside the head.) Makes Indiana Jones look professional in comparison. (At least he dresses with more practicality.) Gah! Now that I've got that out of my system. the rest of the movie is pretty dang awful, too.

In Germany and in HongKong a different cut of The Minion was released that features a new prologue that can't be found in the original R-Rated Version. On the other hand the alternate cut misses out several plot and action scenes that are featured in the R-Rated Version.
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