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Original Title: Haywire

Genge: Action,Drama,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Freelance covert operative Mallory Kane is hired out by her handler to various global entities to perform jobs which governments can't authorize and heads of state would rather not know about. After a mission to rescue a hostage in Barcelona, Mallory is quickly dispatched on another mission to Dublin. When the operation goes awry and Mallory finds she has been double crossed, she needs to use all of her skills, tricks and abilities to escape an international manhunt, make it back to the United States, protect her family, and exact revenge on those that have betrayed her.
A black ops super soldier seeks payback after she is betrayed and set up during a mission.
This was a film with really good action scenes and a very good cast, but alas it also has a VERY thin plot with no real ending. I expected much more from this director. Worst part is that this was just an obvious setup for a follow up film. I know Steven Soderbergh does some quirky stuff from time to time and I'm a huge fan of his work but, "Really? That's all you got?" This had a lot of potential, but never actually got there. With this cast and this director I was anticipating something special. Gina Carano was great and the rest of the cast tried hard to make it work. Too bad they couldn't pull it off. if you like seeing girls beat up on guys, you might like it, but if you are into stories and plots, you definitely will not. I will watch the sequel that is so clearly coming, but I won't be doing it in the theater. My advice: wait to see it on NF or cable. Not worth the trip to your local cinema for this one.
Director Steven Soderbergh is on a roll. After directing the well-received medical thriller "Contagion", Soderbergh returns to direct this action-thriller about a double-crossed agent, Mallory Kane, who is played by Gina Carano. Freelance covert operative Mallory is hired out by her handler to various global entities to perform jobs that governments cannot authorize and heads of state would rather not know about. However, during a mission in Dublin, she meets Paul, played by a very dashing Michael Fassbender, who, instead of shedding his clothes in the bedroom, sheds his disguise and proceeds to mano-a-mano with Mallory, although she emerges the survivor. Now, fully aware that she has been double crossed, Mallory tries to makes her way back to the United States to exact her revenge.

It is refreshing to finally see a movie that is unpretentious about what it is; a straightforward revenge tale. There is no attempt by the script to assert plausibility or realism, such as how one woman can take down so many trained men so easily. Soderbergh has clearly struck gold with fighter Gina Carano, who is no acting veteran, yet manages to hold her own in this testosterone-laden movie. It is a treat to see A-listers like Ewan McGregor, Michael Fassbender, Channing Tatum and Michael Douglas quaking in their boots at the mere mention of Carano's Mallory Kane persona in "Haywire". Dialogue and emotion-wise, Carano does not deliver much, but Soderbergh has managed to draw attention away from the problem by choreographing one fight scene after another with raw realism.

Yes, the choreography is the main attraction of the movie, shot with just the right amount of a rough-and-tumble, making the choreographed scenes look as if they were improvised on the spot. There is just enough heart-thumping moments to make you sit up and on the edge of your seat, but you will never be overly afraid for Carano. In fact, you will be rooting for her in every brawl, for whenever Carano hits the walls she does it with so much conviction, as per her nickname in the ring, that you actually feel the walls shaking. Now, other actresses who have attempted such roles, no matter how toned and buff they became, just look like pretenders.

Besides the finely choreographed action sequences, Soderbergh also knows to make a fine choice of locations and mobile filmic methods. Expect nothing new unlike the vertigo- inducing Burj Khalifa scene in "Mission: Impossible - Ghost Protocol", but enough so as to keep things exciting, such as the quick cuts and pans, the rooftop escapes, and the car chases in reverse gear. It is signature Soderbergh, and even the soundtrack in "Haywire" does not miss the beat. All the action is backgrounded with a generally chirpy but serious-when- it-needs-to-be tone set by composer David Holmes, whose choice of blues, jazz and techno music can be occasionally jarring.

In conclusion, "Haywire" is Soderbergh's venture into indie waters with his bet on untested talent Gina Carano and boy, does it pay off. For those who were wondering what Bond or Bourne would be like if they were women, "Haywire" is the answer. It is definitely one of the better movies to begin the year with, if not for the star-studded cast. Move aside, Angelina Jolie and Milla Jovovich, there is a new woman fighter in town Haywire makes no sense whatsoever, which should come as no surprise. It's the latest brainless exercise in self-indulgence from Steven Soderbergh, whose films rarely make any sense anyway.
Mallory Kane (Gina Carano) works for a private company that does operations for which regular government operatives can't be sanctioned. After breaking off her relationship with the company's owner, she is going to leave this company and take a lot of the business with her. Rodrigo (Antonio Banderas) comes into possession of two pieces of knowledge, that Mallory is leaving the company and that a particular dissident is vulnerable. He coordinates a plan to have Mallory abduct the dissident (she thinks she is rescuing him) and then frame her for his murder. This makes his client and the owner of the company happy. Mallory gets wise to this when she finds the dead dissident with her brooch in his hand. At this point she has a fight with Paul (Michael Fassbender) and goes on the run. Mallory makes it to her dad's house and has a final showdown with the company's owner and his guys. Aaron (Channing Tatum) realizes he's been used to chase her down when she is in fact innocent and tries to help. Mallory takes revenge on Rodrigo and Kenneth (Ewan McGregor). Haywire was filmed from an original screenplay by British-American screenwriter Lem Dobbs. The viewer is meant to be in the dark about many things in the first half of the movie, it puts you in the place of the protagonist and let's you better feel what she's going through. You discover the clues as she does, and in the end they spell it all out and fill in the missing pieces using flashbacks so you complete the puzzle just as she does. The confusion is in the editing. The time jumps, scene transitions and overall choppy flow makes the story harder to follow. The whole movie hinges on the acting skills of a Muay Thai fighter instead of the huge cast of "A" list actors. Establishing shots are not made which causes confusion as the viewer tries to figure out where the scene fits within the story. The script doesn't grab the viewer and the movie could benefit from better casting for the roles of Mallory and Aaron. This movie had good intentions but loses the audience by failing to maintain the pace of the story. There are better ways to drop pieces of the puzzle and make the premise more engaging.




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