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Original Title: Texas Terror

Genge: Action,Adventure,Drama,Western

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run her ranch. Then she finds out about his past.
It was not his sister. It was his daughter.
No need to repeat the plot. This matinée special has a number of interesting features. Reviewer jayraskin1 is right—this is one of the young Wayne's better performances since he has to run a gamut of emotions from shame to anger. He's actually a better actor than these two-reelers required, and I wouldn't be surprised this was a feature where the great John Ford caught Wayne's potential before elevating him to the A-class in Stagecoach (1939). Then too, I enjoyed the old flivver chugging down the road. Sure, there are some questionable anachronisms like the antique telephone. But it's fun and revealing to see these early editions of everyday modern contraptions. Also, the milking contest is a charming hoot, expertly done by the two characters playing the yokels. I wish I could say the same for the leading lady who at one point declaims like she's center stage doing Shakespeare.

But wonder of wonders, catch an apparently well-groomed George (Gabby) Hayes in several scenes where, dare I say it, he looks almost handsome! I'm still wondering about that and whether I should have any more 12-packs while enjoying these oaters. Speaking of visual oddities, is that about ten seconds of a subjective camera in the movie's first part when the scene goes all blurry as though we're peering through the blurry eyes of the leading lady (I believe it was hers and not mine!). If so, it's one of the few subjective shots in a genre not known for arty effects, to say the least. Anyway, I'm glad Lone Star popped enough money to put the larger than usual cast including extras into the piney mountains east of LA. The locale may not be the scenic Sierras, but it sure beats the scrubby hills of city outskirts. All in all, it's a better-than- average entry for fans of the Lone Star- Wayne series. The story line in "Texas Terror" is built on a fairly weak plot line; throughout the film, John Higgins (John Wayne) believes that he killed his old friend Dan Matthews in a shootout that takes place at the beginning of the movie. Having just chased a gang that committed a robbery to Matthews' cabin, it never occurred to Higgins that maybe he was killed by one of the bad guys. Where's ballistics when you need them? Upset over his friend's death, Higgins gives up his sheriff's badge, and it passes to former sheriff Ed Williams (George pre-Gabby Hayes). Higgins heads out of town to take up a solitary life as a prospector, and turns in a good deed when he helps a young Indian boy with a broken leg, thereby earning Chief Black Eagle's gratitude, which will come in handy later on.

Eventually, Matthews' daughter Beth (Lucile Brown) returns home to run her father's ranch, and hires on John Higgins as her foreman. There's something she can't quite connect to Higgins' voice, though earlier he rescued her from a bandit gang in his unshaven, unkempt guise. Higgins keeps Beth at a distance, knowing that when she learns of his involvement with her father's death someday, she will wind up hating him.

It's interesting to see how primitive these early films were in their exposition of key story elements. The movie relies on a lot of eavesdropping and coincidence for the characters to interact, for example, Wayne's character overhears the Martin boys discuss their plan to rob the Wells Fargo safe, while Beth follows Higgins to observe him open the safe after he got the combination from the banker.

The lead heavy in the film is Joe Dickson (LeRoy Mason), and in league with the Martins, he plans to rustle the Lazy M horses and use the proceeds to impress Miss Beth. By this time, Higgins decides he needs to get to the bottom of Dan Matthews' death, realizing that maybe he wasn't the guilty party. He calls upon Black Eagle to foil the horse heist, and as the tribe swings into action, Higgins first gets the drop on Blackie Martin (Jay Wilsey), who in turn fingers Dickson for his crimes, all the way back to Dan Matthews' murder.

As in virtually all of the mid 1930's Lone Star Westerns, John Wayne winds up winning the female lead, usually shown with the two in a clinch at the end of the film or riding off into the sunset. Here it's done more by innuendo, as Black Eagle and another rider watch Beth enter the cabin where Higgins is. After two hours, the men get weary and decide to leave after offering comments on how unpredictable women can be. Two hours? I wonder what they were doing!





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