Fury Movie In Italian Free Download ->>->>->> DOWNLOAD

Original Title: Fury

Genge: Action,Drama,War

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A grizzled tank commander makes tough decisions as he and his crew fight their way across Germany in April, 1945.
April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened Army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Outnumbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
Many movies show the atrocities of war with dour scenarios of cruelty and grisly images of violence. "Fury" begins in much the same way, presenting a grim cadre of tank operators in World War II whose seemingly heartless wartime ethics become heightened through the contrasting eyes of an innocent young soldier. Initially grasping for unearned emotion through stereotyped character development, "Fury" quickly changes course to surprise with shocking, thought-provoking examinations of humanity during conflict. Yes, the inexperienced newcomer clearly represents the last sliver of compassion in an escalating affray of brutality, but his steady corruption marks an enthralling expedition into the real horrors of such struggles for ephemeral victory. There's no distinct line between good and evil, no knights in shining armor, and only a tenuous grasp on what separates right from wrong.

In April of 1945, Sergeant Don "Wardaddy" Collier (Brad Pitt) leads his five-man squad and their Sherman tank "Fury" in the Allies' final push across Nazi Germany during World War II. Tasked with rescuing a platoon trapped behind enemy lines, and forced to take on rookie recruit Norman Ellison (Logan Lerman), Collier, Boyd "Bible" Swan (Shia LaBeouf), Trini "Gordo" Garcia (Michael Pena), and Grady "Coon-Ass" Travis (Jon Bernthal) undertake a suicidal mission against an adversary possessing far greater numbers and significantly advanced weaponry. With reinforcements diminishing and supplies limited, Collier and his crew must brave constant ambushes and the threat of the vastly superior German Tiger I tank as they descend deeper into the war-torn countryside.

It's momentarily artistic, with a touch of symbolism in the cinematography, before it becomes brutally realistic with sustained bullet barrages and graphic violence. The grittiness certainly serves a purpose, reiterating quite often the "war is hell" motif through gruesome visuals and continual commentary on the atrocities of armed conflict. Dwindling humanity in a system of dehumanizing the enemy is also a potent subject, with "Fury" going to great lengths to obscure the lines of appropriateness in combat and proclaim the belief that right and wrong simply do not exist in the heat of battle. It's a far cry from the classic, bloodless takes on WWII set around the mid '40s, like "Battle of the Bulge" and "The Tanks Are Coming," instead more closely resembling the productions focused on overwhelming fear, disorientation, and unpreparedness, like Vietnam epics "Platoon" or "Full Metal Jacket."

In analyzing the emotions, tattered ethics of unimaginable pressures, and understandable reluctance toward surrendering to the mindset of detached killing, "Fury" balances controversial, uncomfortable, and superbly powerful concepts. Involving a particularly heavy-hitting rite of passage for a novice still struggling to retain some semblance of scruples, the picture is primed for clashing ideals and discordant viewpoints on heroism. All the while, the rarely seen cinematic adaptation of tank warfare is refreshing and raw, capturing gut-wrenching gunplay and harrowing scenarios of desperate survival. Even in moments of relative calm, there's a lingering aura of spontaneous attacks, as if an ambush could materialize while characters merely consume rations, squabble with fellow soldiers, or futilely converse with a pretty German girl. First and foremost, I would like to applaud the casting department in this movie. It was brilliantly done because this is the type of movie which needs actors. No, scratch that! It needs talented actors to really carry the audience from the very first scene to the very end. Mr Brad Pitt leading the ensemble as Don 'Wardaddy' Collier. A very engrossing and visceral performance as the Captain of the tank unit. Immediately commanding and owning the father figure role of this self contained brotherhood of men. This excellence of performances continues to filter down through the ranks, from Sia Labeouf as Boyd 'Bible' Swan, Michael Peña as Trini 'Gordo' Garcia, Jon Bernthal as Grady 'Coon-Ass' Travis and to complete the fighting five is Logan Lerman as the wet behind the ears pencil pusher, Norman Ellison. This is where the heart of story lives, with these guys. All day and night. WW2 stories like this have been told a thousand times over, especially in this kind of genre. Unfortunately this is completely true but the massive difference here is that it's from a fresh perspective for a "war story" and the fresh perspective continues throughout, especially in the shooting style of the movie as well. Four lads in one of the most claustrophobic environment's conceivable, whilst engaging and witnessing some of the most savage, brutal, and most tactically fought tank battles they'll ever see through out their lifetime. By filming it in such a boxed hand-held manner, it fully immerses you as a viewer and that coupled with these outstanding performances creates this concoction that pulls you in so much that you almost feel like the sixth member of this dogged unit. Whether you want to be there or not. David Ayer is at the helm of this movie and has definitely pushed himself in a different direction in comparison to his previous films, which were very modern in comparison. Such the likes of "Training day", "End of watch" and "The fast and furious" etc. The shooting style in "Fury" is unconventional because it needed to be. To David Ayer's credit, empathy is the greatest reason why you keep watching these guys and really start to care about them because they're emotive reaction to everything they encounter is so human. They shout at each other and get on each others nerves. They joke and laugh at one another just to pass the time. They share the same pain when they lose a comrade in battle. It's a job, that's what these brave young men did and still do to this day. The crux of the whole movie is about this tight knit family group of brothers. The way they react to each other when they're in trouble or when they stumble upon something seemingly impossible to survive, there is that over whelming sense of brotherly love and respect for one another. This is apparent on and off the screen. It's an absolute pleasure to watch these actors verbally and sometimes physically spa with each other, you see why they were cast for each of their individual roles. To quote the film "best job I ever had!" I truly believe it when each one of these guys repeats this simultaneously as characters on screen and even more so as friends off the silver screen.
Writer-director David Ayer’s brash, assaultive Brad Pitt drama manages some evocative imagery and achieves visceral impact by enacting a hellacious atmosphere that never lets up — but Ayer takes the mission too literally, and winds up literally lost in the fog of war.
His tank was the first one destroyed in the battle with the Tiger tank. These are not laser beams, they are "tracer rounds". They are typically loaded in machine guns and tank shells as a way to determine where the rounds are actually firing. Should they miss, you can adjust your aim accordingly by watching the direction the round is firing. The average lifespan can't really be confirmed. But it is a generalization that Allied tank crews suffered heavy losses at the hands of the superior German armour, which is true. The Sherman tank was used by the Allies in every theatre of World War 2 and was famed for its speed, maneuverability, reliability, ease of mass production and ease of repair/maintenance. However, its' initial 75mm, and later on 76mm gun, was generally incapable of penetrating the main armour of its' German counterparts, the Panther, Tiger 1E, and later King Tiger. The Panther's high-velocity 75mm gun, and the Tiger and King Tiger's 88mm gun (initially designed for anti-aircraft roles) could easily defeat the Sherman's armoured protection, as could German infantry anti-tank weapons. The Sherman's high profile also made it comparatively easy to spot, and its' use of a petrol (gasoline) engine gave it an unfortunate propensity to burst into flames when hit. British and Canadian troops nicknamed them 'Ronsons' due to this fact in reference to a brand of cigarette lighters that are guaranteed to 'Light every time'. The Germans rather more bluntly referred to them as 'Tommy cookers'. The German tanks also used petrol engines, but one model of the Sherman, the M4A2, did use a diesel engine, but most of its production went to the US Marines in the Pacific, and the Russians.

You can find the armor stats for almost any armored fighting vehicle in history online. Look up the Tiger I, King Tiger, and the Panther; both later models had sloped armor which greatly added to deflecting armor piercing rounds, compared that with the Sherman. It was simply pitiful for the General in charge of Ground Forces, Lesley McNair, to be allowed to send so many soldiers into battle in such an inferior weapon, that was practically obsolescent after the introduction of the Tiger. But the Sherman was designed as an infantry support tank, not a tank-vs-tank unit, like its German opponents (and most modern-day 'main battle' tanks).

Generally, German tanks were technically superior to Allied tanks. The problem the Germans had was that with a war on two fronts, and heavy Allied bombing, they simply couldn't produce the tanks quick enough. Their tanks were also over-engineered, and units produced towards the end of the war tended to break down too easily. Additionally, on the last year, they also ran out of manpower to crew the tanks. The Tiger tank was a heavy tank at 54 tonnes, versus the Sherman at 30-33.5 tonnes but (as shown by the film) it could only be knocked out by the Sherman's cannon at close quarters, from the side or behind where the armor was thinner. The Sherman could also do it with the specialized 76mm High-Velocity Armor-Piercing ammunition (type M93 HVAP) but this was in very limited supply, and priority went to the M36 'Jackson' and other tank destroyers. Battlefield comments from Normandy onwards showed that on average it took the loss of 7 Shermans to knock out one Tiger tank. The US did, however, have a lot more tanks than the Germans. The German antitank weapon called the Panzerfaust (seen in the film, being pulled from its packing crates in the darkness) was also greatly feared by Allied tank crews. The one-shot LAW-type device had a hollow charge and could knock out any Allied tank at close range (the Panzerschreck was a heavier reloadable bazooka-like weapon). During the last months of the war in Europe, the Allies also had greatly superior air power as well and this helped to negate the tank advantage on the ground that the Germans had. The film showcases the Sherman's main strengths in combat - bristling with machine guns (including the powerful .50 M2HB, nicknamed the 'Fifty' or 'Ma Deuce') and its maneuverability, which made it an excellent infantry support weapon.

Its interesting to note that the tanks shown in the movie were a mixed bag: 'Fury' was an M4A2E8 (76)W HVSS Sherman tank, and 'Lucy Sue' an M4A2 Sherman, but as you don't see the engine decks, so for sake of the story, they could be mistaken for petrol-fueled units (the A2's carried a diesel powerplant. 'Matador' is an M4E8 (76)W HVSS Sherman, 'Murder, Inc.' an M4A4 Sherman, and 'Old Phyllis' an M4A1 (76)W Sherman. All but Lucy Sue were later 'W' or wet-stowage ammunition types, and only Matador and Fury had the main gun capable of doing serious damage to the Tiger, and the later HVSS wide suspension track system. They carefully did not use the up-gunned British Shermans, which got a powerful 17-pounder QF gun of equivalent calibre to the 76mm, but with considerably more penetration - this Sherman was called the Firefly.



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