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Ubisoft kicks off the proceedings with a slight inside joke for fans who've followed the Sands of Time trilogy. It's an appropriate mood-setter, since the tone is different from that series of games. In this scenario, the Prince is a mysterious drifter who stumbles into heroism. As he's wandering the land he runs into Elika, a princess who's running away from peril. Along the way, a mystical artifact is destroyed and unleashes Ahriman, a malevolent god. Ahriman's minions, known as the Corrupted, rule small domains of the land and infect it with Corruption, a slimy ooze that permeates the terrain.
It's surprising that a single character, Elika, is arguably the strongest glue that binds these two gameplay types together. Without Elika, PoP would likely be another Sands of Time sequel with some open-ended gameplay tossed in for good measure. But because of her it's a significantly richer game. Elika is both a central character and the lifeblood of the experience. Because of her mystical abilities, she can extend the Prince's jumps and leaps. Most importantly, Elika saves the Prince every time he makes a fatal mistake. Unlike past games, the Prince can't die, thanks to Elika's powerful grip.
It's up to the Prince and Elika to restore order and contain Ahriman again. Elika's mystical powers wash a wave of energy through each conquered stage and restore it to its original splendor. Although Ubisoft's approach to pushing the narrative is a bit heavy-handed -- the game (annoyingly, at first) will frequently prompt you to stop everything so that the Prince and Elika can have a conversation -- the story is quite engaging, and the finale takes some genuine turns for the unexpected.
Prince of Persia.
With Prince of Persia , Ubisoft has now re-invented Jordan Mechner's titular royal nearly as many times as the average comic book character's been revamped. This is nothing new, as the prince has seen several makeovers throughout the nearly twenty years since his debut on Apple II. His classic bitmapped incarnation, its acrobatic 3D redux, and his nu metal-laden misfire all share one thing: they put on quite an acrobatic show. The Prince of this newest title is no exception, and Prince of Persia marks a triumphant moment for the series.

Prince of Persia 's charm comes from its careful fusion of carefully-timed platforming with the Scimitar Engine that brought us Assassin's Creed 's sprawling lands. As a result, it offers vast terrain that's broken up into territories that are not unlike Creed 's numerous urban districts. And like that game, it offers you different approaches to tackling the core threat. It also suffers from some of that game's issues, namely that at the end of it all you're doing small variations on the same thing over and over, but it's better-hidden here. That's thanks to the wonderful climbing and platforming, which feels like a satisfying return to 2003's Sands of Time yet also marks a fantastic point of entry for newcomers. All of the Prince's trademark wall runs, leaps, and defiance of gravitational law fuse nicely with Altair's explorative freedom.
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