Download Italian Movie Violet ->->->-> DOWNLOAD (Mirror #1)

Original Title: Violet

Genge: Action,Drama,Family

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

15-year-old Jesse is the only one who witnessed the stabbing of his friend Jonas. Now he has to face his family and friends form the BMX riders crew and explain the unexplainable - how he feels about it.
Violet is the debut feature of the Flemish director Bas Devos.

Violet deals, mainly in a visual way, with the grief and guilt feelings of a teenager (Jesse - César De Sutter) who -rather passively- witnesses the violent death of his friend and BMX mate Jonas in a shopping mall.

The movie leans heavily on visuals. Even the title Violet is associatively related to violent and to violet, a color at the higher end of the visible spectrum (and also the soundtrack by the black metal band Deafheaven).

Dialogues are sparse, and when they take place hardly decipherable. Which I found quite annoying. The acting was moderate.

In an interview, Bas Devos said he found it more important how the images affect you than what they exactly show. However, in my case the images hardly had an impact: they were isolated pictures, mere beautiful images, nice long takes of the neighborhood at dawn resp. sunset. Even the excellent and original shots of BMX-rides didn't truly add to the story.

Indeed, the Flemish Nicolas Karakatsanis (known from the Drop, the Welp and Rundskop) is an expert in atmospheric cinematography. But only at times the visuals enhanced the story.

For instance at the start of the movie, we see shots of a desolated shopping mall (mostly in dead silence) with two groups of boys who will later appear to be the offenders and their victims. We watch them from different angles, even when they meet. Later it becomes clear we are looking at a CCTV footage. Then the footage is re-winded…, the sounds return and we see the mall and the boys -one dead- in "real life".

Also the loud "background noises" from birds in the morning, traffic and children's voices added to the alienating effect.

Thus in conclusion, a nice debut feature with excellent camera work, but too experimental for the average audience, even art-house fans like me. Actually, who am I to call the movie as "plotless" once I have no idea of what was the director's purpose. For that reason, I decided to dig up some information about the concept and I came across with an interview where Bas Devos describe the particular style of filmmaking:

"I am attracted to something on the border of the narrative—where the story ends, but the image and sound linger. This almost "dangerous" moment, where seemingly nothing happens, but the audience connects to the world as seen or heard by the filmmaker. I suppose that's the moment when the most interesting questions arise."

As the movie goes on, you start to realize that there will be no 'big twist' or some abrupt kind of turn on the story and then you go into the mindset of the project, which is focused more in suggestions and innovation than in traditional, for sure.

Nonetheless, keep your mind open (all the time). Devos's impressive debut bores into the mourning process and its piquant combination of emotional numbness and sensory vulnerability, rigorously avoiding finding an easy way out of this quagmire.





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