Download Italian Movie Blind Woman's Curse ->>> DOWNLOAD (Mirror #1)

Original Title: Blind Woman's Curse

Genge: Action,Crime,Horror

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The head of a yakuza gang is being trailed by a mysterious, vengeful blind woman.
Akemi and the man of her clan confront their opponents; Akemi delivers a sword thrust to kill the opponents' leader, and Aiko, his daughter, tries to interpose herself, suffering a glancing blow to her eyes, thus cutting her badly, and blinding her. Amid the ensuing fight, no one notices that a black cat laps the young woman's wound. Years later, revenge between the two clans continue, plus added dissension amongst Akemi's people, leading to more deaths. A new member comes to help them, but she is a strange woman - and blind. The curse of the blind woman is about to fell on the dragon-lady.
The dragon-tattooed leader of the Tachibana Yakuza gang, Akemi (Lady Snowblood's Meiko Kaji) tries to avenge the death of her father in a rain-drenched showdown, only when she is about to deal the final death blow, she slashes at the eyes of the rival's boss younger sister, rendering her blind while a mysterious black cat laps up her blood. Akemi spends three years in jail before returning to the head of the Tachibana clan, where she intends to stop the violence that is causing her city to bleed and live out her days in peace. With the help of a Tachibana turncloak, a rival gang headed by Dobashi (Toru Abe) starts to invade Akemi's territory, planting drugs in their stalls and fighting them in the streets.

Dobashi finds some unexpected help with the arrival of a blind female swordsman, Aiko (Hoki Tokuda), the woman from the opening scene who is seeking vengeance. It's here that the film starts to get seriously weird. Working as a knife-thrower at a carnival show, Aiko is accompanied by two assistants, a grotesque hunchback with a fetish for decapitation, and the black cat that Akemi believed put a curse upon her for mutilating an innocent. Soon enough, Akemi's gang are turning up dead, often with their dragon tattoo flayed from their back. Less of a threat and providing most of the film's comic relief is another gang boss permanently adorned in a thong and cursed with foul-smelling body odour.

Blind Woman's Curse's mix of sword opera, Yakuza gangster movie, horror and surrealism is an unbalanced and occasionally frustrating concoction. If the story wasn't out-there enough, Kaji's disappointingly limited screen-time means that there is little holding everything together. The supernatural elements occur so sporadically that they seem out of place, but thanks to cinematographer Shigeru Kitaizumi, are beautiful to behold. The carnival scene is a montage of macabre and vibrant colours, with strange dancing and avant-garde plays from it's performers, and the climactic showdown between Akemi and Aiko plays out against a lavish painted backdrop of spiralling clouds. It's completely nonsensical, but it's an experience like no other. Like France's Jean Rollin, Japan's Teruo Ishii stands for something. His films have a blazing signature. His obsessions are up there on the screen. The plots are coat hangers to hang his fetishes on. "Blind Woman's Curse" is a mixed genre extravaganza that is one part yakuza melodrama, one part sword opera, and one part horror film. Although it doesn't hold together dramatically, it is still a fantastic piece of fantasy cinema. Meiko "Scorpion" Kaji, one of the sexiest women ever to have graced the silver screen, is the head honcho of a gang who have been marked for extinction by a strange, blind swordwoman (Hoki Tokuda) and her hunchback servant (is there any other?) At the same time, another clan has it in for Meiko and her feisty, fighting girls. Ishii slathers on the macabre and bizarre in this wonderful, malformed romp. A grotesque night carnival is one of the film's highlights, as is a flesh-carrying, blood-drinking black cat that makes a strong impression. The activities of the hunchback are always fun to watch, as are the scenes of human skinning, tattoo removal, and sexual coercion. Like every Ishii film, except the execrable "Blind Beast Versus Killer Dwarf", this is a colorful, lurid compendium of cinematic delights.


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