Django Full Movie In Italian Free Download Mp4 ->>> DOWNLOAD (Mirror #1)

Original Title: Django

Genge: Action,Western

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A coffin-dragging gunslinger and a half-breed prostitute become embroiled in a bitter feud between a Klan of Southern racists and a band of Mexican Revolutionaries.
Walking through the desert dragging a coffin, a lonely cowboy rescues Maria from a group of bandits. That cowboy is Django, and he arrives in a muddy ghost town ravaged by those bandits, where only the saloon and the brothel, owned by Nataniele, are open. Soon, Major Jackson, who charges protection fees from the dwellers, rounds his gang up to face Django, but he kills all the bandits but Jackson using a machine gun. Then a mercenary and acquaintance of Django, Gen. Hugo Rodriguez, arrives in town, and Django proposes a bold plan to steal the gold from Jackson and split between them. When Django is betrayed, he steals the gold from Hugo and is helped by Maria. They are chased by Hugo and his men, while Jackson organizes with the Mexican army to trap Hugo.
Great song! But anyway, this is basically a derivative but entertaining Italian western with a heavier than normal dose of violence, such as a man having his ear cut off and fed to him. Poor acting and direction and a tasteless look are minuses, though. Nero is a 3rd rate Eastwood. No really thrilling action, and suspense is replaced by violence -- pointing the way for future Italian and American films. The street was the most interesting character in the movie (and I don't mean that as an insult; it's one of the only movies you could say something like that about). Good soundtrack (laughable title track is a plus). Nero went on to continue his semi-stardom in numerous westerns and "American Ninja" flicks; Django went on to become one of the most popular characters in the history of Italian films (there's almost as many Django films as Maciste films). He's a cool character, and his entrance dragging an empty coffin through the mud is a memorable one.
Sergio Corbucci is not really a great director, but if I hear his name I perk up in a genre-geek sort of way. Having seen a couple other movies by him, Navajo Joe and Il Grande Silenzio, I knew what to expect with Django, which is some of the same only (hopefully) more violent and serious and convoluted. Actually, the story in Django isn't too convoluted, just if you don't pay close attention, which is easy once or twice. It doesn't have the weird, cool energy of Grande Silenzio or the camp of Navajo Joe. But it stands on its own as a solid entry- the most well-known of all spaghetti westerns in Europe (yes, more than Leone, who was also a God there), and, well... if you watch the dubbed version from Anchor Bay video and come out unscathed, more power to you.

Franco Nero is in his iconic role as the title character (sing it with me, "Djangoooo!"), a man dragging a coffin into town and with some payback to deliver against a man named Jackson, and is actually caught up in two warring factions: a group of red-suited KKK members, and a crazy group of Mexicans, with women thrown from here to there and in-between. Django, of course, doesn't want to get involved with that, but he does, and it becomes a whole big thing not too unfamiliar to those who've seen their share of Leone pictures. In fact, this was the first in a whole franchise of Django- some official and most not, leading up to this year with Miike's amazing remake- and I could likely see this as being the best without having seen one other. It's just a guess, I could be wrong. Certainly it would be hard to top the body count, which nears 150 (or maybe it's more), if not all of the performances.

Then again, it's the look of most of the characters that becomes more and more striking as the movie goes on, including one snarling gunman with bad teeth and big gums (I forget his name), and the stone-faced Jackson himself who Django has the chance to kill early on but leaves alive (somewhat bewilderingly, then again there would be no film and less conflict for otherwise amazing comic-book gunslinger Django). What Corbucci can deliver alongside his cast of mostly bit players and hamming-uppers, is a kind of tough but loose style; he won't go to extremes like Leone with a close-up or a far-away angle, he'll just zoom and veer right into the action and get all of the bloody, crazy killings right up close and fast as possible. He's a good exploitation director and a decent stylist, with a little artistry and a warped form of professionalism. It must be fun and/or rough work being on his set.

So, for any and all genre fans, spaghetti western or just crazy-action film, you'll see why Django gets its rep, for better or for worse, usually the better. It's sometimes sloppy and occasionally not altogether well-made, but it soaks up its audience with its character as he kills quick with his huge cannon of a machine gun and has a final scene at a cemetery that is in the books somewhere as a mark of a true bad-ass. Just make sure, for the love of Pete, to try and steer clear of the English dubbing, as it's a mind-numbing experience (or just hilarious too).





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