Dick Hebdige's article "Subculture and Style" starts with an excerpt from Jean Genet's " The Thief's Journal" which items to different connotations that are conveyed by objects to various people. He uses this process to illustrate an comprehension of the types of Britain's childhood cultures, arguing that the subculture is subversion to normalcy; but fashion, although subversion of frequent things, enables Britain's subcultures to symbolically split up themselves from the bulk culture to that they belong. He becomes model as an cosmetic nonconformity in which participants invite backlash from almost all culture. That notion of type in subculture acknowledges imagination and collective cosmetic setting with a hierarchy of prices and unique design which sometimes involves criminality. As an example, vibrant block artists (graffiti author, rap musicians), and gang members, "making identities... working to manage the meanings why these referrals take for the others - people and organizations begin to create the limits of their very own identities and these of other as well." (Ferrel). To deviate from the normalcy and build meaning from this type of change could possibly reveal elegance and ingenuity according to individuals' perception of the symbol. But once the image is seen in the reflection of the dominant group, it would represent criminality because they proscribe it to be, also if you have no offense involved in the development of the symbol.

By proscribing this split up system of symbols, these authors of the subcultures experience validated by the principal group, concern current tradition, questioning the context of the mass culture. This way, the youngsters are empowered to transform in to the socially substantial symbols and kind a strong group with their own identity. Hebdige argues that subcultures bring together like-minded folks who experience forgotten by societal criteria and allow them to produce feeling of identity. "This scorn then acts to galvanize the countercultural personality, legitimizing the subculture specifically by rejecting its deviance. In this manner the autonomy of a subculture is equally established and maintained" (Hebdige pp.3).

In "Youth, Crime, and Cultural Space," Jeff Ferrel explores the social room within which some teenagers build meaning, understanding, and identity. It centers around "the criminalization of young people's alternative cultural spaces as a method of social and ethnic get a handle on, as a safety of main-stream ethnic room and boundaries" (pp.2). He argues that when ethnic room is confused with offender intent by the principal party, the criminalization provokes a protest from the childhood who elicits new types of resistance by producing option social space. According to him, the formation of a subcultural room and the criminalization innuendos has political implications that affect the youths' everyday lives. He issues, "Are channels of youthful connection accordingly the province of corporate profit, appropriate regulation, or unfettered creativity" (Ferrel pp.1)?

The idea listed here is; since the youth create their home satisfying objectives Arab Culture identity construction and preservation of ethnic space through styles and representations they become appropriated, commodified, and changed by the hegemonic tradition which they contest, elevating the choice tradition to social and political level in different to foster their political ideologies without acknowledging the imagination behind the transformation.
Example is the internet subculture Bulletin Table Programs (BBS) of the 1980's, that was a pioneer web network that comprised of subterranean system of technically fervent computer literate youths. Nowadays, there is corporate domination of the net like the Earth Broad Internet (www), Yahoo, America on-line (AOL) among other that demand consumers because of their services. Government censor and tax the internet sites and consumers, it units surveillance on individuals and groups' actions, and apprehend violators of their internet rules. Such is applicable to Rap music and other related subcultures.